Listen to your favorite songs from Critical Beatdown (Special Version) by Ultramagnetic McS Now. Best of All-time Lists, Best of Decade Lists, etc. Production for the album was handled primarily by the group's rapper and producer Ced-Gee, who employed an E-mu SP-1200 sampler as the album's main instrument. The Anthology of Rap, published by Yale University Press, makes note of such terminology in Ced-Gee’s lyricism on the album’s 1986 single “Ego Trippin'”, particularly the lines “Usin’ frequencies and data, I am approximate / Leaving revolutions turning, emerging chemistry / With the precise implications, achieved adversively”. Ultramagnetic MC's discography and songs: Music profile for Ultramagnetic MC's, formed 1984. Download our mobile app now. Albums include Critical Beatdown, The Four Horsemen, and The Dirtchamber Sessions Volume One. Critical Beatdown, an Album by Ultramagnetic MC's. Released 4 October 1988 on Next Plateau (catalog no. 1988 Preview Editors’ Notes If hip-hop’s banner year of 1988 presents a kind of corollary to rock ’n roll’s pivotal mid-‘60s heyday, then Critical Beatdown can be seen as rap’s answer to Blonde on Blonde or Revolver. PL-1013; Vinyl LP). were recorded at the same sessions, but remain officially unreleased. Critical Beatdown is by far one of the best Hip Hop albums of its era and should go down as one of the all-time greats. Critical Beatdown is the debut studio album by American Hip Hop group Ultramagnetic MCs, released on October 4, 1988, by Next Plateau Records.Production for the album was handled primarily by the group’s rapper and producer Ced-Gee, who employed an E-mu SP-1200 sampler as the album’s main instrument. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Consider the Ultramagnetic MCs the pubes of hip-hop, planted firmly between the genre"s adolescence and its young adulthood, marking a shift in more than one way. Well i'm the equalizer, known to be graphic I clear static, breakin up traffic Move, while i enter the groove I'm on top, and happy to prove To wack mc's who claim to be better than Critical Beatdown is the 13th track on the Ultramagnetic MC’s debut album of the same name. Ultramagnetic MCs’ debut album. Many believe that without the group's primary producer, Ced Gee, the golden era of sampling may have looked very different. Along with samples of Brown’s music, the production utilized drum breaks from commonly sampled sources such as Melvin Bliss’ 1973 song “Synthetic Substitution”. Ultramagnetic MCs Critical Beatdown . Their first single was "To Give You Love" (1985) on the Diamond International label. His lyrics on “Ego Trippin'” also criticize the musical aesthetic of old school Hip Hop artists at the time: “They use the simple back and forth, the same old rhythm / That a baby can pick up and join right with them / But their rhymes are pathetic, they think they copasetic / Using nursery terms, at least not poetic”. Release date: October 4, 1988. backed by innovative production techniques it is very easy to see why Kool Keith during his tenure was hyped as the lynchpin of the group and here was pivoted for later success, with his excellently executed unique and quotable wordplay throughout. Genres: East Coast Hip Hop, Boom Bap, Hardcore Hip Hop. Featured peformers: Ced Gee (songwriter), Kool Keith (songwriter), DJ Moe Love (aka_text turntables role_id 1135.aka_text, aka_text scratches role_id 1110.aka_text, songwriter), Tommy … Simply, Critical Beatdown marks a sign of hip-hop"s early burgeoning creative maturity. In the second edition of The Rough Guide to Hip Hop (2005), music journalist Peter Shapiro notes its music’s energy as reminiscent of The Cold Crush Brothers and writes of the album’s musical significance, “It may have been a stunning explosion of early sampling technology, but Critical Beatdown remains a devstating album even in an age of 32-bidevastating and RAM-intensive sound-editing software.” He also views that the technological limitations of using such a sampler added to the album’s style, making the music “rawer, more immediate, and more febrile, like a raw nerve.Hip Hop production team The Bomb Squad has cited the album as a major influence on their production for Public Enemy’s 1988 album Kool Keith’s and Ced-Gee’s lyrics on the album are characterized by abstract braggadocio, stream-of-consciousness narrative style and pseudoscientific terminology.
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