no revolutionary movement is complete without its poetic expressiongary wilson musicianai-digital-pubロゴ

no revolutionary movement is complete without its poetic expression


He assumes a familiarity to the greatest events of history. In what way, on what grounds, and in the name of what, can art turn its back to the inner life of present day man who is building a new external world, and thereby rebuilding himself? The English people, embarked on an age long struggle monarchy, found in the watchwords a reflection of their own ideas and ideals. It is good that the “Lef” understands this and explains it. Literature suffocated and became stupid in the stagnant little world of the lawyer, the student, the amorous lady, the district civil servant, and of all their feelings, their joys and their sorrows. It is absolutely unquestionable that language lives and develops, creating new words from within, and discarding antiquated ones. They also relied on different forms of chance art as grottage, frottage, exquisite corpse, and decalcomania (Levenson 263). The poet’s pathos is destroyed by shouting and hoarseness.Mayakovsky’s weighty images, though frequently splendid, quite often disintegrate the whole, and paralyze the action. With very few exceptions, all our present day poetry has been influenced by Futurism, directly or indirectly. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one’s life, without seeing oneself in the “mirror” of literature? Why does Ivan hold one hand in his belt against swords and pistols? Saltikov knew the bureaucracy and the nobility well! A work of art must show the gradual growth of an image, of a mood, of a plot, or of an intrigue to its climax, and must not throw the reader about from one end to another end, no matter if it is done by the most skillful boxing blows of Imagery. His satire is racy and superficial. The practical dependence of art, especially of the art of words, upon material technique, is insignificant. We Marxists live in traditions, and we have not stopped being revolutionists on account of it. That is why Mayakovsky speaks of the most intimate thing, such as love, as if he were speaking about the migration of nations. That is why Futurists, even including Mayakovsky, are weakest artistically at those points where they finish as Communists. But should one carry one’s protest against sponging on life to the extent of separating literature from the conditions and forms of human life? The working-class does not know the old literature, it still has to commune with it, it still has to master Pushkin, to absorb him, and so overcome him. In spite of the failure of the French Revolution, the social and political upheaval in France played a great part in influencing English Romantic Movement. But we have to wait.Khlebnikov’s and Kruchenikh’s wordforms also lie outside poetry.

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no revolutionary movement is complete without its poetic expression
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no revolutionary movement is complete without its poetic expression