In addition to commercial work for...It can’t shoot 4K raw to internal memory. We all shared a sense that this story needed to be told and we need you to tell it in a factual and responsible way. In Celebration Of Black History Month It was especially cold for Cynthia who had to go into the freezing water. “She told me about There can be fewer greater contrasts for Toll than switching from Did you enjoy this article? The film is helmed by director Kasi Lemmons, who brings a unique vision of the courage, ingenuity, and heart of the iconic freedom fighter to modern audiences. And we didn’t have to sacrifice anything in terms of overall look with this combination of camera and lenses.”The production was rooted in extensive research. John Toll’s experience on films like Legends of the Fall and The Thin Red Line works well in this historical realm. The GP-VPT2BT Shooting Grip with Wireless...For its critical success, awards buzz, and technical breakthroughs revolving around the unique use of brand-new digital de-aging techniques...It took some time, but JVC Professional Video said it is finally shipping its Connected Cam 500 series of...Panasonic announced a new series of run-and-gun 4K camcorders led by the AG-CX10, a pro camera with a 24x...The American Society of Cinematographers (ASC) announced the nominees for the Theatrical and Spotlight categories of the organization’s Outstanding...Colorfront said it is going after the Apple Mac Pro market with a new subscription model for its Colorfront...Director Michael Shapiro has joined Santa Monica commercial production company Spears & Arrows. “We had a lot of scenes in wooded areas. It helped that the Civil War era marked the advent of photography with daguerreotypes of the 1840s, which provided evidence for costume and set design. Life and career. With much of the footage shot at night, of exteriors and in the forest, Dustin was also mindful to keep the details in the imagery visible as Toll intended, and the pair explored various ideas throughout the process, with Lemmons providing input.“Kasi is brilliant. to our Focus Features’ “Harriet” tells the remarkable true story of Harriet Tubman’s escape from slavery and transformation into one of America’s greatest heroes. He won back-to-back Academy Awards for Best Cinematography in 1994 and 1995, for the movies Legends of the Fall and Braveheart . Harriet (2019) cast and crew credits, including actors, actresses, directors, writers and more. It doesn't make sense for a cinematographer to come up with their own version of a film.Kasi Lemmons shooting a scene with John Toll on the set of How did Lemmons and you craft a visual approach for the film?She had very definite ideas about a visual style, which was to make it straightforward and not make it overly elaborate. Harriet Tubman was the toughest freedom fighter that ever lived. You have to embed yourself in the 19th century in a way that creates a believable context for the story and the characters through the locations and the production. We were all deeply invested in telling this story. For news about the media business, please check out our sister brands The heroism of abolitionist Harriet Tubman in the context of pre-Civil War adversity is so powerful that it needs little adornment.
“We wanted to take advantage of the landscape and geography where Harriet actually lived, to ground the story in an authentic feel and look.” Nov 4, 2019 EFILM’s Tony Dustin Re-Teams with Cinematographer John Toll, ASC, on “Harriet” Focus Features’ “Harriet” tells the remarkable true story of Harriet Tubman’s escape from slavery and transformation into one of America’s greatest heroes. I come up with the visual design for the film in collaboration with the director. Her passionate commitment to tell this story in the right way was completely infectious.What would you like audiences to take away from the film?I didn't know that much about Harriet Tubman before. To get a sense of the area, we walked around a lot at different scouting locations. You began to understand what an amazing accomplishment it was. We didn’t have the luxury of coming back the next day, so we had to hit it first time out. He’s exceptional at planning and capturing what he wants on set, and has a clear vision for what he’d like to achieve with the color in post,” noted Dustin, who previously collaborated with Toll on both seasons of the Wachowski’s Netflix sci-fi series “Sense8.” “It was quite enjoyable working with him again, and we had a lot of great creative back and forth.”Dustin created a LUT that was used during filming, then worked with Toll and Lemmons to refine the look during the color finish, dialing in the right color temperature for each scene and, in some cases, drawing inspiration from archival photographs. In school we learn about American history, but the nitty-gritty details of what Harriet’s experience was, to understand how horrible it actually was—that’s important to know. Everyone on the film wanted to tell this story in a way that did justice to the people in it.Much of the story takes place outside. Harriet has the best intentions, but despite a powerful lead performance by Cynthia Erivo, the film feels bereft of originality.
That’s an environment that can easily suck up the light, so I needed a camera with high sensitivity.”Toll enlisted Panavision in New York for his camera package, which included the Sony Venice. One of …
That perspective was built into Kasi's approach to the film. In making this film, everyone really came together as a unit.
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