Close often paints abstract portraits of himself and others, which hang in collections internationally. Close proved able to create his desired effects even with the most difficult of materials to control. Chuck Close: Big Self Portrait 'Big Self Portrait', (1967-68) acrylic on canvas (107.5"x83.5") 'Big Self-Portrait', a massive 9ft high painting of a head around fifty times life-size, characterizes Chuck Close's early work. © 2014–2016 Chuck Close. Most of his early works are very large portraits based on photographs, using Throughout his career, Chuck Close has expanded his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries.Close had been known for his skillful brushwork as a graduate student at Yale University. Although the paralysis restricted his ability to paint as meticulously as before, Close had, in a sense, placed artificial restrictions upon his hyperrealist approach well before the injury. To create his grid work copies of photos, Close puts a grid on the photo and on the canvas and copies cell by cell.
Small bits of irregular paper or inked fingerprints were used as media to achieve astoundingly realistic and interesting results. One was the late Joe Wilfer, who was called the 'prince of pulp' … and now I'm working with Since 2012, Magnolia Editions has published an ongoing series of archival Close's wall-size tapestry portraits, in which each image is composed of thousands of combinations of woven colored thread, depict subjects including A fragment of Close's portrait of singer-songwriter Close donated an original print of his "Self Portrait" in 2002 to the Close's first solo exhibition, held in 1967 at the In 2013, Close's work was featured in an exhibit in In 2016, Close's work was the subject of a retrospective at the Close's work is in the collections of most of the great international museums of contemporary art, including the On December 20, 2017, two women accused Close of sexual misconduct, claiming he made vulgar comments to them after inviting them to his studio to pose for him.In 2007 Close was honored by the New York Stem Cell Foundation and donated artwork for an exclusive online auction.In October 2013, Close donated a watercolor print of Genevieve Bahrenburg and a watercolor print self-portrait to ARTWALK NY, a cause that benefits the Close was one of eight artists who volunteered in 2013 to participate in President Barack Obama's Another documentary film was made on Close in 1998, titled Chuck Close: Eye To Eye: ART/new york No. Beginning with a photograph of himself, Close divides the portrait into a grid and then transfers, cell by cell, the image onto a larger matrix. On April 17, 1970, American painter Charles "Chuck" Close (b. (297.2 x 643.9 cm) Big Nude, 1967 acrylic on gessoed canvas 117 x 253.5 in. He took a series of black-and-white photographs, then used a grid placed over one of these images to paint, grid section by grid section, the image on an enlarged scale. He works methodically, starting his loose but regular grid from the left hand corner of the canvas.Although his later paintings differ in method from his earlier canvases, the preliminary process remains the same. In 1967, the year he took the first series of photos for his self-portrait, Close moved to New York, where as of 2015 he continued to work out of his studio. The first work completed with this technique was Big Self-Portrait (1968), a massive black-and-white depiction of the artist with a cigarette hanging from his lips. That day he was at a ceremony honoring local artists in New York City and was waiting to be called to the podium to present an award. Charles Thomas Close is an American painter, artist and photographer. 48, by his classmate at Thompson, Graham: American Culture in the 1980s (Twentieth Century American Culture) Edinburgh University Press, 2007
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