He received his early art training at the John Herron Art Institute in Indianapolis and the Fogg Art Museum
African-American Art: 20th Century Masterworks, VIII In a 1968 interview, Woodruff recalled his return to the American South as “coming home.” In Atlanta, Woodruff founded an art department that became known as the “Atlanta School” or the “Outhouse School.” The latter designation was inspired by Woodruff’s realist approach that demanded the inclusion of all visible forms in his students’ landscape paintings, including less picturesque elements such as privies.
Marlene Park. Because some jurisdictions do not allow limitations on how long an implied warranty lasts, or the exclusion or limitation of liability for consequential or incidental damages, the above limitations may not apply to you.This site may contain links to other sites on the Internet that are owned and operated by third party vendors and other third parties (the "External Sites"). Eager to create art that spoke to the black experience, the artist’s penchant for abstraction soon gave way to a more representational and socially conscious art.
He taught classes at the university's Laboratory High School, as well as for students at Morehouse and Spelman, a related college for black women.
Although he spent his later years in New York—where he helped establish the Spiral Group (with fellow artists May we keep you updated on TJC events and initiatives?Please read the following terms of use and disclaimer carefully before using this website (this site).
Like Romare Bearden and Charles Alston, Woodruff refused to limit himself to either figural representation or abstraction, and he often worked in both visual languages within the same period of his life. These limitations shall apply notwithstanding any failure of essential purpose of any limited remedy. He moved with his mother to Nashville, Tennessee, after his father died. You should contact the site administrator or Webmaster for those External Sites if you have any concerns regarding such links or the content located on such External Sites.The Johnson Collection may at any time revise these Terms of Use by updating this posting. January 17 – March 9, 2002 Woodruff reluctantly returned to the U.S. due to financial strains from the Great Depression. "Lynching and Anti-lynching: Art and Politics in the 1930s."
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January 14 – March 6, 1999 January 15 - March 6, 2004
He received his early art training at the John Herron Art Institute in Indianapolis and the Fogg Art Museum of Harvard University.
January 18 - March 10, 2001
African-American Art: 20th Century Masterworks, X
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