Cafe' Society and Wonder Wheel are absolutely beautiful. I learned a little bit so I wasn’t totally blank, and then that kind of started me with shooting some … I was the first to shoot digital for Fincher on commercials. Some of those mountains on fire are real, that’s the movie as well.They did a controlled burn, which got a little bit on the verge of controlled fire. I guess my mindset when I first posted about this was skewed due to the Alexa being Hollywood's go to camera. We did actually put up one, but I think that’s the only one, really.MIRANDA: Well, we went to a ski resort called Pajarito in Santa Fe, I don’t know if you know that place. Is the Venice/Claudio Miranda the best fit for this type of movie? We’re probably going to move on to MIRANDA: Joe and I were looking at a movie that was grounded in reality a little bit. it's more a matter of personal taste.Yes when Roger Deakins was asked about shooting Bladed Runner.. besides being terrified .. he said he was never going to try and copy Jordan Cronenweth,s style.. as its wasn't his style at all.. so he just did it his own way..to no ill effect in my humble opinion .. This idea that Camera X is better than Camera Y is becoming increasingly irrelevant these days, particularly amongst the high end cameras. Can he switch up his style and go for the warmer, more summery/punchy look of Top Gun? I mean, I sort of wanted to do it ourselves, in a way, just keep it in house so we kept it in house. So I learned as much as I can the hour before I had to leave to go there. A lot comes down to the director with whom he's working and the attempt to satisfy them and help fulfill their vision. 'The Girl with the Dragon Tattoo' Revisited: The Films of David FincherWatch: Samantha Bee Eviscerates Harvey Weinstein and Other "Hollywood Creeps"COLLIDER participates in various affiliate marketing programs, which means COLLIDER gets paid commissions on purchases made through our links to retailer sites. But we had other locations, all shot around Santa Fe. And then Harris [Savides] did Click the button below and wait for a message from our Facebook bot in Messenger! There’s a jogging scene where they’re running around, that’s up in the mountains. It's understandable that you might assume it will look like Tony Scott's original, but it's by no means certain that they will choose the same high gloss eighties look. 3. And is Claudio Miranda better off using the Venice then say an Alexa LF or Alexa 65? I'm sure that Claudio Miranda is more than capable of tailoring his style to the needs of the movie.When you ask "Is he better off using Venice?" Better off in what way? I don’t need crazy.
If we got bigger, we had a backlot about the size of a football field, I think it was 300 feet by 400 feet. And then there we can kind of burn… We had trees planted and we just let her loose there as much as we can. One being the detachable sensor block - which allowed them to squeeze a previously inconceivable amount of image quality into the cockpits of these fighter jets (think of it as the fanciest dash mount you've ever seen). That’s kind of why we took it over, I was tired of … I don’t need a hot shot shot, I just need a boom op to fly over. I wouldn't lose too much sleep worrying as to wether Mr Mirander can coax a decent image out of the Venice.. he probably could with a mirror , cornflakes box and a smarty tube..Thanks for the replies, guys. When you see through it, you see pipes and fire. You can post now and register later. If you have an account, Top Gun 2 shot on the SONY VENICE (Claudio Miranda) (a few questions)The upcoming Top Gun sequel is being shot on the Sony Venice based on this photo. Imagine being around mountains, it’s hard to get away or in certain areas. There have been many times when I've worked and not done what I normally would do because the director wanted something different-- it's pretty much the base level of your job-- delivering what your bosses want. There’s some scenes where Marsh is pulling Brandon out of the fire, that I think a lot of that’s in camera as well.There’s always a little bit of finagling around in there, adding a little bit in there as well but we have a force so we can go add a fire without being small. Anyway, it kind of looks out and they’re all at this campfire, that was the one blue screen shot there.
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